During the past in Indonesia, jewelry has been not tidily applied as accessories to decorate the body to look groovy and attractive look but also function to be a beautify to the fact. The use as a way to ceremonies may well be create in the unique Javanese inscriptions, among others, described that the whole accident sima ( hangout fief ) there is a series of gifts ( Pasek - Pasek ) to officials matching as textile ( wdihan ), rings, and gold and silver money. Book Sumanasantaka ( around the 12th century ) mentions the prize had been ( irons, necklaces, rings ) is reserved for tribe who fully comprehend the skill level in the arts of music, dance, and Satra.
Type of jewelry in Indonesia, from classic interval mainly in the system of a crown, pinprick, ear stuff, necklace, region chest, arm handcuffs, manacles, rings, and jempang ( cover piece sex. ) This type of jewelry that was contained on stone and bronze statue not entirely of metal, corresponding as the hip band and belts made with leather - based or thick cloth however has gold buckle that is sometimes decorated with priceless stones. Also, there uncal decoration, which is sort of helping little region that hung in front of the thighs, from hip zone unsettled down, decorated with tassels on the edges of the metal. At the time of Majapahit sculptures ornaments uncal length to bottom the foot, nearly to the ankles, while in sculpture from the Central Java and East Java earlier, reaches to the knee or slightly below the knee.
In Trowulan INDONESIA found gold jewelry, but few have introduced the hands of the government. Since 1950 until the 1960 ' s most wild searching gold diggers in this area who then secretly sold them. Now this activity does not exist anymore, but alternated with damaging activities as well, which is digging the soil to be used as brick - making material. In 1991 brick artisan in the village of Nglinguk, get 9 pieces of gold jewelry ( 2 bracelets, two chain necklaces that include a pendant - one of them - and each 1 piece of tube and cover, container and chain fragments. Most of this revelation includes a high quality. Before that, in 1976, never found kowi ( melting metal container ) are smaller ( diameter 5 cm ). All these findings remind us of the activities of gold producers in the past, a place which is now immortalized as the names of a village, Village Package, on the west Seagram.
In a of the historical record jewelry Indonesia, publicized in 1881 stated that the Hamlet Bedok, Soko, found ten pieces of gold items in bronze tube being made of earrings, bracelet sleeves, fragments of pendants, and headdresses sword. These sighting present a collection of National Museum of Jakarta - Indonesia.
Among the jewelry, there is one type of beautify " giant head " with an open mouth in which there s a green gemstone. Some gold object, shaped round with openwork relief on both surfaces, some sources known as an ear ornament. Although this reason is questionable, that one of the front surfaces can be eliminated, in order that can function as a cover. Perhaps it is a sealed container to place the fragrance. Relief on one surface and sangkha portray winged spiral pattern in the middle. Patterned surfaces any other lotus petals. Sangkha winged may seem a popular decorative motif from the Central Java and isn ' t always associated with the god Vishnu, though sangkha is one attribute of the god Vishnu.
There is possibly a relief object is not empty, in all probability hung as decoration chest normally installed or on the hair. National Museum of Jakarta - Indonesia store two - berelief decoration is a very interesting and entertaining is the collection No. 6816 and then 6914. No collection. 6816 has a relief depicting the god Surya mount a horse, surrounded by a circle that emit light in a triangular pointed tip. Shining circle motif is usually called a " ray of Majapahit ", and also commonly found on statues and temple relief ' s century 14 - 15. No collection. 6914 is also a similar decoration, has a relief depicting a scene in the Ramayana story. Decipher it depicts 2 monkeys to walk on water using a rock lord on top of his head.
Coming from Mojoagung - Indonesia, west Trowulan got 2 pieces of wire or rope necklace shaped plain. A full round - shaped necklace as well as the other flat. This necklace worn tight across the neck. While plain, without ornament of any kind, shape necklace from the 14th century it could be assumed as a result of post - modern art.
Another necklace, also did not form chains, but the form of a wire spiral so - called necklace untiran ( Java: untir = gyre ). This necklace is also used tight on the neck and in the middle, there are pegs that opened.
Technical Preparation The technique is generally used for the manufacture of gold objects were casting ( pouring molten metal ) and forging ( forging a thin sheet with a hammer / wood ). After the new improvements with polishes and so forth. One variation of the placement is repousse, which put gold leaf on a rock or other metals that have been patterned, and then pounded to form a convex relief on the sheet. Some of these gold objects are objects that hollow, made of thin gold sheet. To strengthen the gold sheet was on the inside reinforced with bronze ( in the invisible part ) and hole. Between gold and bronze filled with fine clay that is not burned.
Find another article from me about men rings, Eternity Rings, and Solitaire Rings.
